{"version":"1.0","provider_name":"Res Musica ","provider_url":"https:\/\/resmusica.ee\/en\/","author_name":"admin","author_url":"https:\/\/resmusica.ee\/en\/author\/admin\/","title":"Res Musica 16 (2024) - Res Musica","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ttrMTnqyCo\"><a href=\"https:\/\/resmusica.ee\/en\/res-musica-16-2024\/\">Res Musica 16 (2024)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/resmusica.ee\/en\/res-musica-16-2024\/embed\/#?secret=ttrMTnqyCo\" width=\"600\" height=\"338\" title=\"&#8220;Res Musica 16 (2024)&#8221; &#8212; Res Musica \" data-secret=\"ttrMTnqyCo\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/resmusica.ee\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Research on pop music and subcultures no longer occupies the fringes of contemporary musicology. Both these areas have also been met before in the pages of Res Musica (see, for instance, Res Musica 10, 2018). In the current issue, the authors offer a broad perspective on these topics, often combining the academic gaze with that of the practitioner. They observe phenomena, some of which fall directly under the umbrella of pop music, while some which lie outside the field of pop can be explained through the concept of subcultures. In this way, the authors demonstrate the connections between music and broader societal topics such as gender roles, identity construction, activism, and mental wellbeing. In all of these, we see how cultural expressions that may often appear marginal can pose significant societal challenges and initiate change."}