Res Musica 9 (2017)
Preface
On 13 May 2015, Urve Lippus, Professor of the Department of Musicology at the Estonian Academy of Music and Theatre and one of Estonia’s most prominent musicologists, passed away suddenly and tragically. She was also the editor-in-chief of the yearbook Res Musica. On 23 April 2016, the traditional one-day conference of the Estonian Musicological Society took place in Tartu, at the Heino Eller Tartu Music High School. The conference was dedicated to the memory of Urve Lippus. This issue of Res Musica contains materials presented during that conference.
Altogether there were nine presentations. Four of these were the starting points for the full-scale peer-reviewed research papers that appear in the present yearbook. Their authors are Brigitta Davidjants, Mart Humal, Janika Oras and Helena Tyrväinen. In addition, four more contributions from the Tartu conference are included in the yearbook. These have a more personal character, and as such were not peer-reviewed. Their authors are Mimi Daitz, Anu Kõlar, Mark Lawrence and Andreas Waczkat. The yearbook also contains a conference paper on Veljo Tormis (by Jaan Ross), reviews of several musicological publications, including three doctoral theses, as well as the traditional chronicle of musicological activities in Estonia. Publication of this volume was supported by the Estonian Ministry of Education and Research (research project IUT12-1) and by the European Union through the European Regional Development Fund (Centre of Excellence in Estonian Studies).
Jaan Ross
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Table of Contents:
Saateks numbri toimetajalt
(Jaan Ross)
From editor of the current issue
(Jaan Ross)
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ARTICLES
Brigitta Davidjants
National Identity Construction in Music: A Case Study of Aram Khachaturian
Rahvusliku identiteedi konstrueerimine muusikas: juhtumiuuring Aram Hatšaturjanist
Mart Humal
Linearity in Music
Lineaarsusest muusikas
Janika Oras
Favourite Children and Stepchildren: Elite and Vernacular Views of Estonian Folk Song Styles
Lemmiklapsed ja võõraslapsed. Eliidi ja rahvalikud vaated eesti rahvalaulustiilidele
Helena Tyrväinen
Ilmari Krohn and the Early French Contacts of Finnish Musicology: Mobility, Networking and Interaction
Ilmari Krohn ja soome muusikateaduse varased Prantsuse-kontaktid: mobiilsus, suhtevõrgustike loomine ja interaktsioon
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MISCELLANEA
Pilguheit kahele Ameerika Ühendriikidesse emigreerunud muusikute rühmale: 1938–1943 esmajoones Austriast ja Saksamaalt ning 1944–1950 Eestist tulnud
Anu Kõlar
Prelude, Fughetta and Postlude: A Tripartite Reflection on National Ideas and National Music
Prelüüd, fugett ja postlüüd: mõtteid rahvuslusest ja rahvuslikust muusikast kolmes osas
Mark Lawrence
Veljo Tormis and Urve Lippus: A Legacy
Veljo Tormise ja Urve Lippuse pärand
Andreas Waczkat
Elmar Arro’s View of Contemporary Estonian Music
Elmar Arro nägemus kaasaegsest eesti muusikast
Veljo Tormis ja minimalism. Tema uue helikeele retseptsioonist 1960ndatel aastatel
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REVIEWS
Mart Jaanson
Aare Tool. Piiratud transponeeritavusega heliread ja vorm Eduard Oja muusikas. Tallinn 2016
Kadri Tüür, Andreas Kalkun
Lähme, lähme, köime, köime
Ingrid Rüütel. Muhumaa laule ja lugusid. Tartu 2016
Leopold Brauneiss. Arvo Pärdi tintinnabuli-stiil: arhetüübid ja geomeetria. Laulasmaa 2017
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CHRONICLE
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